
Paul
Meshejian
Artistic Director
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Paul Meshejian is the Founding Artistic Director of PlayPenn. Since 1989 he has been a company member at People’s Light and Theatre (PLT) outside Philadelphia where he has both acted and directed. In addition to his work at PLT he has performed with all of Philadelphia’s major theatre companies. He has been nominated for the Barrymore award numerous times. His work has been seen on film an television. In the 1980’s he was the founding artistic director of Stage One: Collaboration, a professional theatre in Minneapolis/St. Paul devoted to new and rarely produced works. Paul is on the Acting Faculty at University of the Arts in Philadelphia, also teaching at Arcadia University. He has a long history of new play development work as both actor and director in his 14 year relationship with The Playwrights Center in Minneapolis. He serves on the Board of Directors of the International Institute for Theatre Research and is a member of LMDA, Literary Managers and Dramaturgs of the Americas. Email Paul at paul@playpenn.org
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Michele
Volansky
Associate Artist and Conference Dramaturg |
Michele Volansky is Assistant Professor of Drama at Washington College (MD), from which she earned a B.A. in English. She has worked on over one-hundred new and established plays in her professional career, developing new works by such writers as Sam Shepard, Daniel Stern, Warren Leight, Jeffrey Hatcher, Bruce Graham, Tina Landau, Charles L. Mee and Bruce Norris, along with many others. Her work on Shepard’s rewrite of Buried Child (directed by Gary Sinise) and Dale Wasserman’s One Flew Over The Cuckoo’s Nest (directed by Terry Kinney and starring Gary Sinise) earned her two Broadway credits and participation in the Tony Award for Best Revival of Cuckoo’s Nest. She has guest dramaturged at the Arden Theater Company, South Coast Rep, the Atlantic Theatre Company, Victory Gardens and Next Theatre, in addition to her staff time at Actors Theatre of Louisville (1992-95), Steppenwolf Theatre Company (1995-2000) and Philadelphia Theatre Company (2000-2004). Her own play Whispering City was produced as part of the Steppenwolf Arts Exchange Program in the Fall of 1999. Ms. Volansky has served as an artistic consultant for the TCG playwright residency program, a reader for the Eugene O’Neill Center’s National Playwrights Conference, as well as a grants review panelist for Philadelphia-area arts organizations. She is the 1999 inaugural co-recipient of the Elliot Hayes Award for Dramaturgy and was the President of LMDA, the Literary Managers and Dramaturgs of the Americas (2002-2004). Ms. Volansky is a member of the Advisory Board for “Theatre Forum” magazine, an artistic advisor for both the Chicago-based Serendipity Theatre Company and Chicago Dramatists. Volansky’s book on playwriting and collaboration with Bruce Graham entitled The Collaborative Playwright was published in March, 2007 by Heinemann Press. She holds an M.A. from Villanova University and is a doctoral candidate at the University of Hull (England), writing about the critics Kenneth Tynan and Frank Rich.
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Rick DesRochers
Artistic Associate
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Rick DesRochers (director, SAVING GRACE) is an Assistant Professor of Theatre of theatre history, dramaturgy and directing at Long Island University at the CW Post Campus, and an Artistic Associate at the PlayPenn Theatre Conference of Philadelphia. He has served as the Literary Director for the Joseph Papp Public Theater/New York Shakespeare Festival and The Goodman Theatre of Chicago. Prior to his tenure at The Public Theater, he was the Artistic Director of the New Theater of Boston for six seasons, where he produced and directed over fifty new plays and musicals. He is a member of the Society for Stage Directors and Choreographers, and in New York City he has been director and dramaturg for several theater companies including the New York Music Theatre Festival, Joe’s Pub at the Public Theater, NYU’s Tisch School of the Arts, Ensemble Studio Theatre, Circle Repertory Theatre/Circle East, Young Playwrights’ Inc., Rude Mechanicals, and for regional theaters across the country including The Playwrights’ Center of Minneapolis, The Goodman Theatre, PlayPenn Theatre Conference, The Kennedy Center for the Performing Arts, The Boston Center for the Arts, Chicago Dramatists, Live Bait Theater, and Teatro Vista, as well as internationally for The Soho Theatre of London. He has also written several plays including Vegas Baby! (co-written with Gerrit O’Neill produced by Live Bait Theater, Chicago), Lady Trane: A Love Supreme (produced by the New Theatre, Boston), and A Point of Departure (produced by the Huntington Theatre Company, Boston), and has translated plays from French language playwrights including Cheech by François Létourneau (produced at the Melbourne Theatre Company in Australia), and Molière’s Le Bourgeois Gentilhomme (entitled The King of Quality, produced by the New Theatre). Rick DesRochers has taught in theatre departments across the country including the New York University Tisch School of the Arts Dramatic Writing Program, New School University, Emerson College, DePaul University, Chicago Conservatory for the Performing Arts at Roosevelt University, and the University of Texas at Austin. He holds a Master of Fine Arts degree in stage direction and dramaturgy from the University of Massachusetts at Amherst.
email: rickdesrochers63@gmail.com
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John David Flak
Assistant to the Artistic Director & Production Manager
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John is happy to be spending another summer with PlayPenn. John has stage managed for three seasons with the Arden Theatre Company, including A Year With Frog and Toad, Sweeney Todd, and Caroline, or Change. John is currently part of the adjunct faculty in the Department of Theater at Temple University. Previously, John stage managed in Chicago at Steppenwolf Theatre and on the Broadway Tour of Ragtime. In addition, John is a photographer and artist whose work has been published in The Philadelphia Inquirer, Philadelphia Magazine, Citypaper, and Philadelphia Weekly. He is the proud father of two-year-old daughter Dylan Lorraine Flak. He can be contacted at production@playpenn.org.
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Michelle
Houle-Hitz
Director of Development
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Michelle
Houle Hitz (Director of Development) Before moving to the Philadelphia
area in the summer of 2005, Michelle was the Director of Development at
New York City’s Vineyard Theatre where, over the course of her three-year
tenure, she helped to formalize the theatre’s fundraising efforts.
Prior to working at the Vineyard, she was the Manager of Foundation and
Government Relations and the Grant Writer at Manhattan Theatre Club. As
a special events consultant, Michelle managed the front of house staff
for the annual New Yorker Festival from 2002-2004. As a writer, she has
published six non-fiction books for children under the auspices of Enslow
Publishers, Inc. Michelle studied English and classics at Cornell University
and received her master’s degree in English at the University of
Wisconsin at Madison.
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Holly Derr
Director |
Holly Derr (director, HOUSE OF GOLD) directed Common Decency, by Ann Marie Healy, with the Brown University/Trinity Repertory Consortium, The Front Page at the American Repertory Theatre Institute for Advanced Theatre Training, and has been a regular director for the ART/Brown annual “Bakeoff.” She has taught acting, directing, theater history, and play analysis at Smith College and Marlboro College, and will be returning to Smith this fall. New York productions include Anatomy of Isabelle: A Reconstructed Production, The Vagina Monologues, Monsieur X: Here Called Pierre Rabier, In the Penal Colony, When We Dead Awaken, Hollywoodland, Cymbeline, and Like It Is. She founded and produced the non-profit theater company SKT, Inc., worked at The Public Theater/New York Shakespeare Festival and The League of American Theatres and Producers, and has an MFA in directing from Columbia University and a BA in dramatic arts from The University of North Carolina at Chapel Hill.
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Laura Kepley
Director |
Laura Kepley (director, ANOTHER MAN’S SON) is an Artistic Associate and Resident Director at Trinity Repertory Company in Providence, Rhode Island. For Trinity she directed Sarah Ruhl’s The Clean House and co-created with Deborah Salem Smith and directed the world premiere docudramas Boots on the Ground and Some Things Are Private. Other recent directing work includes Laura Schellhardt’s The K of D (Kennedy Center and Orlando Shakespeare Festival), Trista Baldwin’s Falling Up (Perishable Theatre), and George Brant’s Elephant’s Graveyard (The University of Texas–Austin). Her work has been seen at New York’s Public Theater, and in the New York, Seattle, and Philadelphia Fringe Festivals. Ms. Kepley received her MFA in directing from the Brown University/Trinity Rep Consortium where she now teaches. Upcoming projects include a Drama League Directing Fellowship, a workshop of George Brant’s Any Other Name, and the world premiere of Shapeshifter by Laura Schellhardt in May 2009 at Trinity Rep.
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Katie Pearl
Director |
Katie Pearl (director, BREADCRUMBS) is an Austin-based collaborative theater maker working throughout the country on site-specific performance and new plays. She has been commissioned by the Whitney Museum of Art @Altria (Performance on 42nd Series, NYC), Brookfield Properties at the World Financial Center in NYC, and received numerous awards for direction and production from the Austin Critics’ Table (NIGHTSWIM, by Steve Moore; SLABBER, NITA & ZITA with Lisa D’Amour) and Austin’s B. Iden Payne Awards (for her work with Physical Plant Theater). Her recent project with Lisa D'Amour at the World Financial Center in NYC, BIRD EYE BLUE PRINT, was voted Best Site Specific Show in New York City by the Gothamist. She is the recipient of a Roothbert Fellowship, a Drama League Directing Fellowship (2000), and a 2003 Village Voice OBIE Award (for her work on and performance in NITA & ZITA, with Lisa D’Amour and Kathy Randels). Upcoming projects include WHEN SOMETHING WONDERFUL ENDS by Sherry Kramer presented in Austin by the Rude Mechs, and THE ETTY PROJECT, with playwright Kirk Lynn and the Boston-based FortyMagnolias, produced by Speakeasy Stage Company and The Boston Playwright’s Theeater at the Boston Center for the Arts.
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Sarah Rasmussen
Director |
Sarah Rasmussen (director, WILDFLOWER) recently received her MFA from UCSD. Previous collaborations with Lila Rose Kaplan include Catching Flight (UCSD,
New Dramatists), Bureau of Missing Persons (UCSD) and original company created
work. Other recent work includes: Mac Wellman's School for Devils,
The Little Prince, DNA (Hangar Theatre) The Tale (The Eugene O'Neill
Theater Center), Collected Stories (Hwy. 19 Prod.) and the Pillsbury
House Theatre's Chicago Avenue Project. Sarah is the recipient of a
Fulbright, a Drama League Directing Fellowship and is a member of the
Lincoln Center Directors' Lab. Upcoming: Jason Grote's 1001 and Red
Ink, new work by Native American playwrights at Mixed Blood Theatre in
Minneapolis.
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Casey Stangl
Director |
Casey Stangl (director, A HUMAN EQUATION) served a twelve-year tenure as Artistic Director of Eye of the Storm Theatre in Minneapolis, a company founded to commission and produce new plays and bring nationally prominent new work to Twin Cities’ audiences. Casey was named Artist of the Year by the Minneapolis Star Tribune and Best Director in City Pages’ “Best of the Twin Cities” and Lavender Magazine.
Recent work includes: Third, Pygmalion, Blue/Orange and Top Girls for the Guthrie Theater; the world premiere of An Act of Love and the American premiere of Darwin in Malibu and Barbra’s Wedding for Garry Marshall’s Falcon Theatre in Burbank; The Ladies of the Camellias for Denver Center Theatre Company; The Winter’s Tale for Alabama Shakespeare Festival; and The Drawer Boy and Fully Committed for the Jungle Theater. Opera credits include: Dialogues of the Carmelites for Fort Worth Opera and Kentucky Opera; La Boheme and Il Viaggio a Reims for Music Academy of the West; Rigoletto and Norma for Minnesota Opera Company; Die Fledermaus for Pine Mountain Music Festival and Cosi Fan Tutte, Hansel and Gretel and Amahl and the Night Visitors for Opera Omaha. Casey is part of American Film Institute's 2007 Directing Workshop for Women where she directed her first short film, CU@ED'S, a offbeat comedy about online dating. The film has already been selected for six film festivals and is a finalist in the USA Film Festival National Short Film Competition.
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Debbie
Fleischman
Publicist |
A
partner at Fleischman Gerber & Associates, Deborah K. Fleischman has
been hailed by Philadelphia Magazine as “one of the city’s
leading arts publicists.” She has served a variety of performing
arts organizations such as the Philadelphia Theatre Company, the Philadelphia
Festival of World Cinema, and the Curtis Institute of Music. She has provided
marketing services for a tenth anniversary season, regional music and
film festivals, world and American theatre premieres, a U.S. debut concert,
several national touring productions of Broadway shows, a record album,
and the inaugural season of a national music theatre festival. She has
been an Adjunct Professor teaching graduate level courses in Marketing
and Public Relations at both Drexel University and Rosemont College.
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Fran Brookes
Stage Manager
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Fran Brookes is pleased to be working with PlayPenn for the first time and is honored to be following in the footsteps of Veronica Griego. He has worked as a stagecraft and design teacher at Abington Friends School. As a stage manager for Declan Weir Production and Zakarak productions, he has worked in such disparate venues as Radio City Music Hall, the Tweeter Center (Camden), Reliant Stadium (Houston), the RCA dome (Indianapolis) and the TWA dome (St. Louis). Fran has also worked extensively as a Stage Manager and Production Manager at the Arden Theatre Company. Thank you to Paul for this opportunity and love to Kristy and Max. |

Alison Levy
Stage Manager
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Alison is a 2005 graduate of the Conservatory of
Theater Arts and Film at SUNY Purchase. She completed
a production fellowship at the Wilma in ’06 and
continues to work there regularly. She has also worked
locally with Brat Productions and The Walnut Street
Theater, 1812 Productions, Philadelphia Opera Company,
City Center in New York, and regionally at Goodspeed
Musicals and Hartford Stage. |

Michael Andrew Rodgers
Stage Manager
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Michael Andrew Rodgers is currently the Resident Production Stage Manager at the Prince Music Theater. Recent productions include A Midsummer Night’s Dream (SITI) directed by Anne Bogart, Broadway Under the Stars (League of American Theatres and Producers) directed by Anne Reinking, Into The Woods (Dodger Stageholding), Taming of the Shrew and Othello (Philadelphia Shakespeare Festival), Man of La Mancha, Treasure Island, Disney’s Beauty and the Beast, Twelfth Night (Alabama Shakespeare Festival). Other credits include work for Lincoln Center, Drama Desk, ArtsParty, BackStage, HBO, NBC, HERE, ArtsPower, TheatreWorks/USA and NYC Fringe. A proud member of Actors Equity. BA Flagler College, MFA University of Alabama. www.mikear.com |
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Aileen Brenner
Intern
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Aileen is a 20-year-old junior majoring in drama with a minor in creative writing at Washington College in Chestertown, Maryland, where she has been involved in over 13 productions, and is active in several drama clubs, music, and yearbook. Although she has spent much time as a pit orchestra clarinetist and dabbled in stage management and other technical aspects of theatre, Aileen is primarily an actress, having enjoyed many roles including Mabel in The Most Fabulous Story Ever Told, Darlene in November Women (with the Montgomery Playhouse), Estelle in No Exit, Charlotte in The Real Thing, Melanie Miller in According to Goldman, and Lenny Magrath in Crimes of the Heart. She looks forward to completing her performance thesis with Washington College and continuing to build a career in theatre. |

Devin Dippold
Intern
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Devin graduated with honors from McKendree College, where, while working on roles such as Tartuffe in Tartuffe: Born Again, Ed inDefying Gravity, and Gus in The Dumb Waiter, he directed, wrote, and starred in Chosen Reject, a one man show based on the writings of Kurt Cobain. He is currently a student in the M.A. Program at Villanova, where he recently stage managed The Illusion. He will be dramaturg for Villanova's fall production of An Absolute Turkey by Georges Feydeau. |

April Evans
Intern
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April Evans is a native of Houston, TX where she graduated from the High School for the Performing and Visual Arts. She is currently earning her B.F.A. in Acting from the C.W. Post Campus of Long Island University. Having worked predominantly as an actress, April is thrilled to witness and participate in the development of new works.
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Tim Helmer
Intern
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Tim is a 22-year-old graduate of Washington College in Chestertown, Maryland. Having just completed a double major in business and drama with a concentration in stage management, Tim has been involved in numerous productions at Washington College as a stage manager, ASM, sound op, and props master. In addition to this backstage work, Tim has enjoyed four major acting roles: The Most Fabulous Story Ever Told as Kevin, Boy’s Life as Don, This Is Our Youth as Denis, and The Lonesome West as Coleman. Tim has also been active in the Washington college musicians union and a valuable member of the Gibson Performing Arts Center tech crew. Tim looks forward to the possibility of starting a career in theater as a stage manager. |
Ren Manley
Intern
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Ren is an undergraduate in the the theatre arts and video communications programs at Arcadia University. She has studied theatre in London, art in Italy, and recently presented on the temples of Khajuraho, India at the Mohile Parikh Center for the Performing Arts in Mumbai. At Arcadia, she was a part of the female ensemble in The Heidi Chronicles, and has assistant directed The Love of the Nightingale, as well as, Waiting for Lefty. She was the sound designer for an all student produced production of Glengarry Glenross and is also the president of the Arcadia campus television station. She will be interning this summer with Gas & Electric Arts on their production of Anna Bella Eema. |
Alex Runnels
Intern
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Alex is Junior currently earning his B.F.A. in Acting at C.W. Post-Long Island University where he has been trained in different techniques including: Suzuki and Viewpoints. This spring he will appear in Post Theater Company’s production of As You Like It. Past acting credits include Urinetown: The Musical and The Oresteia. As Vice President of Emerging Student Theater Artists on the LIU Campus, he directed 365 Days/Plays. He is a native of Dallas, Tx and a graduate of Booker T. Washington High School for the Performing and Visual Arts. In Dallas, he directed The Last Days of Judas Iscariot at ICT Studio. |
Lauren Zapata
Intern |
Lauren Zapata is a playwright who stands for social justice,
environmental protection, and energy of organized sustainable
communities / individual progress. She is thrilled to be a
part of Play Penn this summer. Currently works for Clean Water
Action and wrote a play that was performed in the Fringe
Festival 2007. Currently working on two plays to be completed
this fall. |
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