What is a dramaturg—why do you need one, and why should you want to be one?! This course introduces various aspects of dramaturgy to the playwright who is hungry to collaborate, both with a dramaturg and with other playwrights. It'll approach dramaturgy from both sides of the creative process, with tips for fruitful collaboration, case studies of dramaturgical challenges in new play development, samples of research-based dramaturgy projects, and more. Students will walk away with a toolkit of dramaturgical skills that will make them better prepared for professional environments as playwrights, dramaturgs, and generative artists.
March 5, 8, 12, and 15 6pm-8pm E.S.T.
Where: Online via Zoom
Required Prep: None
About the teacher: Julia Bumke is a Philadelphia-based new work dramaturg who is passionate about fostering playwrights, librettists, and composers at all stages of their careers. Julia's recent work includes premieres and workshops with Opera Philadelphia, PEAK Performances at Montclair State University, Music-Theatre Group, the American Repertory Theater, Lincoln Center Theater, the Eugene O’Neill Theater Center, and Passage Theatre Company, among others. She has served as a reader for PlayPenn, SPACE on Ryder Farm, Musical Theatre Factory, the O’Neill’s National Playwrights Conference, the A.R.T., and Williamstown Theater Festival. She's the Director of Education at PlayPenn, a Board member of Philly-based Directors Gathering, and a regional VP for Literary Managers and Dramaturgs of the Americas (LMDA). An alumni of the National Critics Institute at the O’Neill (Chris Jones, mentor), Julia received her M.F.A. from the A.R.T. Institute at Harvard, and her A.B. from Princeton University.