Style and syntax of language can transform how a play sounds to its audience: how characters interact, how scenes move, how audiences understand text and subtext, and so much more. In this workshop, we will dive into using and investigating poetic language in theatrical writing. We'll travel along the line between poetry and theater, reading, writing, and discovering the times when both forms can help us tell better stories.
When: May 5, 12, 19, 26 (online): 7-9pm EST
Where: Online via Zoom
Preparation Required: None
Charly Evon Simpson’s plays include Behind the Sheet, Jump, form of a girl unknown, it’s not a trip it’s a journey, and more. Her work has been seen and/or developed with Ensemble Studio Theatre, The Lark, P73, The Eugene O’Neill Theater Center, PlayMakers Repertory Company, Chautauqua Theater Company, Salt Lake Acting Company, and others. She is a recipient of the Paula Vogel Playwriting Award and the Lanford Wilson Award. Commissions she has received include ones from MTC/Sloan, Cleveland Playhouse, EST/Sloan, and one of the 2020 Elizabeth George Commissions through South Coast Repertory. Charly is currently a member of WP Theater’s 2018-2020 Lab and The New Georges Jam. She’s a former member of SPACE on Ryder Farm’s The Working Farm, Clubbed Thumb’s Early Career Writers’ Group, and Ensemble Studio Theatre’s Youngblood. BA: Brown University. MSt: University of Oxford. New College. MFA: Hunter College. www.charlyevonsimpson.com