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Finding Your True Subject: How to Write the Plays That Only You Can Write with Anne Marie Cammarato and John Yearley
This event takes place on the following dates
6/7/2021 from 6:00 PM to 9:00 PM
6/10/2021 from 6:00 PM to 9:00 PM
6/14/2021 from 6:00 PM to 9:00 PM
6/17/2021 from 6:00 PM to 9:00 PM

As audiences, we have all sat though plays wondering why the playwright has chosen this particular subject to write about. As playwrights, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not. This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to a play.

When:  June 7, 10, 14, 17; 6-9 PM E.S.T.

Where: Online via Zoom

Preparation Required: None

Tuition: $225.00

Bio:   Anne Marie Cammarato is a playwright and director, whose plays include Hazel, Bobby James, Milk Pie, A Scar, 10 Months, and The Big Room. Her work has been developed at PlayPenn, Theatre Exile, Temple University, University of the Arts and the Resident Ensemble Players. She has worked throughout the country at theatres including Cincinnati Playhouse in the Park, Madison Repertory Theater, Theatre X, Milwaukee Repertory Theatre, Renaissance Theatreworks, and Delaware Theatre Company, where she served as Artistic Director for six seasons. She was a finalist for the Leah Ryan Fund prize (2015) and in 2012, she was the Established Literary Fellow in Playwriting for the State of Delaware. She is a proud member of the Dramatists Guild and the Stage Directors and Choreographers Society. She has taught at the University of Delaware and Temple University, and is currently Playwright in Residence at the University of Mississippi.

John Yearley is the author of The Unrepeatable Moment (“Thought provoking…exhilarating…painfully hilarious” – New York Times, “Yearley is a master” – Huffington Post), Leap (Mickey Kaplan New American Play Prize, Cincinnati Playhouse in the Park), Ephemera (John Gassner Award), Another Girl (PlayPenn), and Bruno Hauptmann Kissed My Forehead (Abingdon Theatre). His latest play, 8 Minutes, 20 Seconds, was workshopped by LABryinth Theatre Company and performed at Temple University. Work for young audiences include The Last Wish (Macy’s New Play Prize for Young Audiences) and an adaptation of Sophocles’ Antigone. Short plays All in Little Pieces and A Low-Lying Fog are available through Samuel French. He currently writes for the children’s TV program Treasure Trekkers and has worked previously on PBS Kids’ Arthur and as a “script doctor” for New Line Cinema. Teaches playwriting, TV Writing, and screenwriting at Temple University, Drexel University, and the Barrow Group in New York City, as well as previously being a lead artist of the Foundry, a playwriting group in Philadelphia. Member of the Dramatists Guild, Writers Guild, and twice a MacDowell Fellow.

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Cancellation/refund policy

PlayPenn is always working to secure amazing artists to teach our classes and our teachers often go out of their way to fit teaching with us into their busy schedules. Our class sizes are limited to support individual attention, and as such, we are not able to offer refunds if you are unable to attend. So, before you register and pay, make sure you’ve cleared space on your calendar so that you can guarantee your opportunity to work with our master artists! In very extreme circumstances, we may need to cancel a class for reasons beyond our control and will offer full refunds.

For questions, email: iacintis@playpenn.org

A Note From Our Education Department:

 

Sharing your play with the world is an incredible rush—but it’s also unarguably terrifying. After an often isolating writing process, your work is exposed for everyone to see. We know just how vulnerable writers are in these moments, and we’re passionate about helping to navigate them.

 

Here at PlayPenn, we offer our students supportive opportunities to test out new work and hone their craft, providing them with a sense of camaraderie at all stages of their writing careers. Our PlayPenn classes encourage writers to bounce ideas off of one another, commiserate about industry challenges, and be inspired by the world-class writers and industry experts leading each course. We apply this same ethos to The Foundry, our intensive writers group for emerging Philadelphia playwrights; and to our public readings of our students’ works in progress throughout the year.

 

By taking a PlayPenn class, you become part of a welcoming community of experienced playwrights, avid playgoers, recent grads, and everyone in between. Please join us!