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Summer Classes

The Artist’s Way, with Lisa Berger

 640 433 Play Penn

A 12-week creative recovery. This program offers exercises in gaining self-confidence and harnessing your creative talents and skills.

Class Description

The Artist’s Way written by Julia Cameron supports people in their creative recovery. It teaches techniques and exercises to assist people in gaining self-confidence in harnessing their creative talents and skills. Participants will read one chapter a week, prior to convening as a group. As a group, you will then come together to discuss the chapter and activities of the week. Lisa Berger will facilitate the group. This is meant to be a safe and brave space. Each participant will make their own goals and have their own journey in reclaiming ownership of their artist practice.

Dates & Times

Mondays, June 6th – August 22nd, 8-10pm EST

Where

Online (via Zoom)

Required Prep

A PDF of The Artist’s Way by Julia Cameron will be distributed before the class, but feel free to purchase a copy of The Artist’s Way as well. Please read the first chapter before class.

Bio

Lisa Berger is a director, Meisner teacher and professor of Theatre. Her San Diego directing credits include How High the Moon and The Car Plays: Incident Row (Wow Festival); The Car Plays: We Wait (LaJolla Playhouse, Moving Arts) , Red Truck, Blue Truck, When It Comes and Skelton Crew (readings;The Old Globe), Parlour Song (Backyard Renaissance) A Behanding in Spokane (Cygnet Theatre) Looking for Normal, The Long Christmas Ride Home and The Moors, (Diversionary Theatre) She received her MFA from the University of Montana and is also a graduate of The William Esper Studio in New York City. She currently teaches at Mira Costa College and the University of San Diego. She is co-artistic director of Meisner/Chekhov Integrated Training Studio.

$480

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Finding Your True Subject: How to Write the Plays That Only You Can Write, with Anne Marie Cammarato and John Yearley

 640 433 Play Penn

This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to a play.

Class Description

As audiences, we have all sat though plays wondering why the playwright has chosen this particular subject to write about. As playwrights, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not.

Dates & Times

June 7, June 10, June 14, and June 17, 6-9pm E.S.T.

Where

Online (via Zoom)

Bio

Anne Marie Cammarato is a playwright and director, whose plays include Hazel, Bobby James, Milk Pie, A Scar, 10 Months, and The Big Room. Her work has been developed at PlayPenn, Theatre Exile, Temple University, University of the Arts and the Resident Ensemble Players. She has worked throughout the country at theatres including Cincinnati Playhouse in the Park, Madison Repertory Theater, Theatre X, Milwaukee Repertory Theatre, Renaissance Theatreworks, and Delaware Theatre Company, where she served as Artistic Director for six seasons. She was a finalist for the Leah Ryan Fund prize (2015) and in 2012, she was the Established Literary Fellow in Playwriting for the State of Delaware. She is a proud member of the Dramatists Guild and the Stage Directors and Choreographers Society. She has taught at the University of Delaware and Temple University, and is currently Playwright in Residence at the University of Mississippi.

John Yearley is the author of The Unrepeatable Moment (“Thought provoking…exhilarating…painfully hilarious” – New York Times, “Yearley is a master” – Huffington Post), Leap (Mickey Kaplan New American Play Prize, Cincinnati Playhouse in the Park), Ephemera (John Gassner Award), Another Girl (PlayPenn), and Bruno Hauptmann Kissed My Forehead (Abingdon Theatre). His latest play, 8 Minutes, 20 Seconds, was workshopped by LABryinth Theatre Company and performed at Temple University. Work for young audiences include The Last Wish (Macy’s New Play Prize for Young Audiences) and an adaptation of Sophocles’ Antigone. Short plays All in Little Pieces and A Low-Lying Fog are available through Samuel French. He currently writes for the children’s TV program Treasure Trekkers and has worked previously on PBS Kids’ Arthur and as a “script doctor” for New Line Cinema. Teaches playwriting, TV Writing, and screenwriting at Temple University, Drexel University, and the Barrow Group in New York City, as well as previously being a lead artist of the Foundry, a playwriting group in Philadelphia. Member of the Dramatists Guild, Writers Guild, and twice a MacDowell Fellow.

$225

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Creative Ways into Building a Character, with R. Eric Thomas

 640 433 Play Penn

What makes a character memorable? How do we mold a three-dimensional person out of our ideas?

Class Description

Join playwright, screenwriter, and PlayPenn Alum R. Eric Thomas on an exploration of masterfully created, specific characters, using examples from great works for stage, Eric’s own experience, in-class exercises, and more. Students will come away with more tools for fleshing out their ideas into fully realized people and activating their plays with dynamic personalities. Perfect for new or experienced playwrights!

Dates & Times

July 17, July 18, 1-5pm E.S.T.

Where

Online (via Zoom)

Bio

R. Eric Thomas, a national bestselling author and playwright, won the 2016 Barrymore Award for Best New Play and the 2018 Dramatist Guild Lanford Wilson Award, was a finalist for the 2017 Steinberg/ATCA New Play Award and is a finalist for two 2021 Lambda Literary Awards. He was a staff writer for the Peabody Award-winning series Dickinson (AppleTV+) and Better Things (FX) and has been commissioned or produced on stage by Arden Theatre Company, Baltimore Center Stage, Theatre Exile, Simpatico Theatre, Azuka Theatre, Single Carrot Theatre, About Face Theatre, City Theatre Miami, Act II Playhouse and more. He is an alumnus of The Foundry, the Lambda Literary Fellowship, and the Ingram New Works Project. Website: Rericthomas.com New Play Exchange: https://newplayexchange.org/users/892/r-eric-thomas

$150

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Words & Bodies, with L M Feldman

 640 433 Play Penn

Playwright, dramaturg, circus artist, and PlayPenn alum L M Feldman returns with a new workshop!

Class Description

This class will offer new and experienced playwrights a chance to explore some wildly different ways of writing movement, scripting the nonverbal, and dramatizing the body. Together we’ll discuss some excerpts of physically exciting work pulled from plays, dance, physical theater, and contemporary circus, and then we’ll do some generative playwriting inspired by the examples. So if you want to experiment with new ways of revealing character, theatricalizing conflict, braiding movement techniques into your writing, or blurring the boundaries between theater, dance, and circus, this class is for you. (Don’t worry: no movement experience needed. No athleticism needed either. Just an open, curious mind.)

Dates & Times

May 17, May 20, May 24, May 27, 6-8pm E.S.T.

Where

Online (via Zoom)

Bio

L M Feldman is a queer, feminist playwright who writes theatrically adventurous, physically kinetic, ensemble-driven plays – usually about outsiders, often about searchers, always about the human connection. Her plays include THRIVE OR WHAT YOU WILL (New Georges & Page 73 Residencies); ANOTHER KIND OF SILENCE (FEWW Prize Honorable Mention, Magic Theatre New Play Festival, PlayPenn & Sewanee Writers’ Conferences, Playwrights Realm Fellowship); AMANUENSIS, OR THE MILTONS (Georgetown University, Ramah Theatre commission); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Barrymore & ATCA/Steinberg New Play Award Nominations); and A PEOPLE (Orbiter 3, Jewish Plays Project); as well as several ensemble-devised works, including GUMSHOE (New Paradise Labs + the Free Library of Philadelphia + the Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog), LADY M (Philadelphia Live Arts Festival), and others. She has been nominated for the Wendy Wasserstein Prize, Susan Smith Blackburn Prize, Barrie and Bernice Stavis Playwright Award, the New York Innovative Theatre Award, and the Doric Wilson Independent Playwright Award. She’s an InterAct Theatre Core Playwright. A graduate of the Yale School of Drama and the New England Center for Circus Arts, L is also a performer & dramaturg of contemporary circus. She has performed circus-theater at festivals around the world, and she’s a dramaturg for circus artists around the country. She loves theater that moves, and circus that tells stories. L has lived in seven cities and is now based in Philadelphia, where she teaches and where she’s writing two new plays: commissions from EST/Sloan and the Children’s Theatre of Charlotte.

$175

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Contemporary Theatre Script Club with L M Feldman

 640 433 Play Penn

In this destabilizing global moment, it can be hard to find artistic motivation as a playwright: what should you write, and where do you begin?

Class Description

In this destabilizing global moment, it can be hard to find artistic motivation as a playwright: how to find the drive again to revise or to generate new work? Some are finding this a fabulous moment for artistic productivity, but others are finding creative output all but impossible right now. For those of us who are struggling to write, this can be a good time to turn our attention towards input, towards creative nourishment, towards a kind of sabbatical when we can pause and restock our artistic shelves. In this four-week class, PlayPenn fan favorite instructor L M Feldman will guide students through craft-based discussions of four stylistically diverse (and hopefully not-yet-known-to-you) new plays, to be announced prior to the start date. Each week will focus on one script (to be read at home in advance of each class), and will be paired with an in-class writing prompt to help gently spark some creativity again. Part book club and part writing workshop, this course invites its participants to take comfort in and inspiration from the rich world of contemporary plays; to embrace this time as a chance to replenish our own soil.

Dates & Times

Wednesdays, June 24 thru July 15 from  5-7pm E.S.T.

Where

Online (via Zoom)

Required Prep

Students will purchase and read four scripts as part of their participation in this class; we’re eager to support playwrights and their work during this precarious time. Please contact us at classes@playpenn.org if this presents a financial challenge: we can help!

Bio

Lauren Feldman

L M Feldman is a queer, feminist playwright who writes theatrically adventurous, physically kinetic, ensemble-driven plays – usually about outsiders, often about searchers, always about the human connection. Her plays include THRIVE OR WHAT YOU WILL (New Georges & Page 73 Residencies); ANOTHER KIND OF SILENCE (FEWW Prize Honorable Mention, Magic Theatre New Play Festival, PlayPenn & Sewanee Writers’ Conferences, Playwrights Realm Fellowship); AMANUENSIS, OR THE MILTONS (Georgetown University, Ramah Theatre commission); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Barrymore & ATCA/Steinberg New Play Award Nominations); and A PEOPLE (Orbiter 3, Jewish Plays Project); as well as several ensemble-devised works, including GUMSHOE (New Paradise Labs + the Free Library of Philadelphia + the Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog), LADY M (Philadelphia Live Arts Festival), and others. She has been nominated for the Wendy Wasserstein Prize, Susan Smith Blackburn Prize, Barrie and Bernice Stavis Playwright Award, the New York Innovative Theatre Award, and the Doric Wilson Independent Playwright Award. She’s an InterAct Theatre Core Playwright. A graduate of the Yale School of Drama and the New England Center for Circus Arts, L is also a performer & dramaturg of contemporary circus. She has performed circus-theater at festivals around the world, and she’s a dramaturg for circus artists around the country. She loves theater that moves, and circus that tells stories. L has lived in seven cities and is now based in Philadelphia, where she teaches and where she’s writing two new plays: commissions from EST/Sloan and the Children’s Theatre of Charlotte.

$150

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Writing the “Dramedy,” with Quinn D. Eli

 640 433 Play Penn

Humor is one of the best ways to engage audiences, deepen characterization, and convey theme.

Class Description

In this class, we will explore ways in which the delicate, consistent use of humor can allow a writer to sharpen the arc, dialogue, and accessibility of a script, no matter its overall theme or tone. By examining excerpts from plays such Burn This, and Becky Shaw, and TV shows such as Fleabag and Mad Men, we will identify the strategic use of humor, adapting these strategies for our own work. Students will then write a short script that brings a comic approach to a serious topic in order to find the sweet spot where comedy and drama co-exist.

Dates & Times

June 17, June 24, July 1, July 8; 6-8 PM E.S.T.

Where

Online (via Zoom)

Bio

Quinn D. Eli grew up in the Bronx and lives now in Philadelphia. His short plays have appeared in Best American Ten-Minute Plays and been produced throughout the country. Longer works include the award-winning My Name is Bess, produced by Trustus Theatre; Hazardous, produced locally at Society Hill Playhouse; and Hot Black/Asian Action, a satire about sexual and racial stereotypes that premiered at the New York International Fringe Festival. The two-time recipient of Fellowships in Literature from the Pennsylvania Council on the Arts, Eli has served as a Playwright-in-Residence at Plays & Players Theatre.

$150

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“Writing can be a lonely road. I’m thankful that Philadelphia offers the supportive, talented PlayPenn community.”

-Joe G., 2020 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

TV Writing for Playwrights: An Introduction with John Yearley

 640 433 Play Penn

TV writing is just like every other kind of dramatic writing...until it isn't.

Class Description

So many playwrights get paid a lot of money to produce wonderful work for television. How did they adapt their skills to do that? This class discusses which playwriting skills will help you in TV writing (dialogue, character voice, scene structure) and which you have to develop (stories that go on into perpetuity, construction of a world, beats, story engines). “TV Writing for Playwrights: An Introduction” strives to wipe away the mystery of TV writing for playwrights and set them towards working in this thrilling and lucrative medium.

Dates & Times

July 29, August 5, Aug 12, and Aug 19; 7-9 PM E.S.T.

Where

Online (via Zoom)

Bio

John Yearley is the author of The Unrepeatable Moment (“Thought provoking…exhilarating…painfully hilarious” – New York Times, “Yearley is a master” – Huffington Post), Leap (Mickey Kaplan New American Play Prize, Cincinnati Playhouse in the Park), Ephemera (John Gassner Award), Another Girl (PlayPenn), and Bruno Hauptmann Kissed My Forehead (Abingdon Theatre). His latest play, Eight Minutes, Twenty Seconds, was workshopped by LABryinth Theatre Company and performed at Temple University. Work for young audiences include The Last Wish (Macy’s New Play Prize for Young Audiences) and an adaptation of Sophocles’ Antigone. Short plays All in Little Pieces and A Low-Lying Fog are available through Samuel French. He currently writes for the children’s TV program Treasure Trekkers and has worked previously on PBS Kids’ Arthur and as a “script doctor” for New Line Cinema. Teaches playwriting, TV Writing, and screenwriting at Temple University, Drexel University, and the Barrow Group in New York City, as well as being a lead artist of the Foundry, a playwriting group in Philadelphia. Member of the Dramatists Guild, Writers Guild, and twice a MacDowell Fellow.

$150

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“PlayPenn classes always get me over the hump and to a completed work.“

-2019 Participant

“PlayPenn is the best creativity incubator in town.”

-Fall 2019 Participant

Magical Realism in Theatrical Writing, with J. Julian Christopher

 640 433 Play Penn

Let the magic commence!

Class Description

Through a series of exploratory exercises and writing assignments, writers will learn to expand their work by incorporating fantastic or mythical elements into otherwise realistic stories. Magical Realism combines the best of all worlds, including science fiction, fable, fantasy, horror, realism, and fairytale. This workshop hopes to break break open a world of fantasy inside all artists.

Dates & Times

June 16, 23, and 30; 7-9 PM E.S.T.

Where

Online (via Zoom)

Bio

J. Julian Christopher is a Queer, Puerto Rican and Dominican playwright. He holds an MFA in Acting from The New School for Drama. Playwriting awards include: New Dramatist Residency (Class of 2025), 2019/2020 Rita Goldberg Playwrights’ Workshop Fellow at The Lark, 2017 & 2018 Pipeline Theatre Company PlayLab, 2018 LaGuardia Community College’s LGBTQ History Project Grant, 2015 Queens Arts Council Grant, 2009 Public Theater Emerging Writers Group, and 2014 Best New Work Motif Award. Productions include: Man Boobs (Pride Films & Plays, 2011), Nico was a Fashion Model (Counter-Productions Theatre Company, 2013), Animals Commit Suicide (First Floor Theater, 2015), Locusts Have No King (INTAR, 2016), and Bundle of Sticks (INTAR, 2020). He wrote the book for LatinXoxo at Joe’s Pub in 2019. Other plays include, Alligator Mouth, anOTHER, ¡OSO FABULOSO! & The Bear Backs, Julio Down by the Schoolyard, and Bruise & Thorn (2018 PlayPenn Conference). He is a co-producer and co-writer of the hit web series, Bulk and an Assistant Professor of Theatre at Queensborough Community College.

$115

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“This class was the most satisfying I’ve taken as an adult.”

-Lauren L., 2019 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Playwright/Designer Collaboration Happy Hour, Week One: Charly Evon Simpson and Rodrigo Muñoz

 640 433 Play Penn

Join us for a free online Q+A session moderated by PlayPenn Education Director Julia Bumke.

Class Description

At PlayPenn, we prioritize playwrights as the fundamental authority in the creation of new work. But what about the work that happens to take these projects from page to stage? In each of our three happy-hour sessions, we’ll speak with a pair of playwright-designer collaborators who have worked together to tell innovative new stories onstage. Drop in for a single session, or sign up for all three! Set and costume designers were recommended by Clint Ramos (TONY Award, Best Costume Design of a Play).

Dates & Times

June 15, 5-7pm E.S.T.

Where

Online (via Zoom)

Bio

Charly Evon Simpson’s plays include Behind the Sheet, Jump, form of a girl unknown, it’s not a trip it’s a journey, and more. Her work has been seen and/or developed with Ensemble Studio Theatre, The Lark, P73, The Eugene O’Neill Theater Center, PlayMakers Repertory Company, Chautauqua Theater Company, Salt Lake Acting Company, and others. She is a recipient of the Paula Vogel Playwriting Award and the Lanford Wilson Award. Commissions she has received include ones from MTC/Sloan, Cleveland Playhouse, EST/Sloan, and one of the 2020 Elizabeth George Commissions through South Coast Repertory. Charly is currently a member of WP Theater’s 2018-2020 Lab and The New Georges Jam. She’s a former member of SPACE on Ryder Farm’s The Working Farm, Clubbed Thumb’s Early Career Writers’ Group, and Ensemble Studio Theatre’s Youngblood. BA: Brown University. MSt: University of Oxford. New College. MFA: Hunter College. www.charlyevonsimpson.com

Rodrigo Muñoz is a New York-based costume designer from Mexico City. Recent credits in United States include “Jazz Singer”- Abrons Arts Center Directed by Joshua William Gelb, “Jump”- Astoria Performing Arts Directed by Arpita Mukherjee, Harlem 100 ft. Mwenso & the Shakes – IMG Artists & JMG Live, “Tobias” Directed by Arpita Mukherjee as part of the 2020 WP Pipeline Festival. ”Hamlet” (NYU Grad Acting) and “Animal Farm” (NYU Grad Acting). ”Film Credits: “Cracked” Directed by Lin Que Ayoung. “Lucia” Directed by: Victoria Rivera, “A Mutual Understanding” Directed by: Abigail Prade, “A for Alpha”Directed by Kelley Kali.”La Tercera Llamada” Directed by Laila Nuñez. Muñoz graduated from The National School of Theatre and Arts (Mexico) with a BA degree in Theatre Set Design; M.F.A. NYU Tisch School of the Arts Design for Stage and Film.

Free!

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“Each class I’ve taken at PlayPenn has proven valuable in my development as a playwright.“

-Peter C., Fall 2019 Participant

“I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.”

-Danielle B., 2019 Participant

Playwright/Designer Collaboration Happy Hour, Week Two: Cat Miller and Zoë Hurwitz

 640 433 Play Penn

Join us for a free online Q+A session moderated by PlayPenn Education Director Julia Bumke.

Class Description

At PlayPenn, we prioritize playwrights as the fundamental authority in the creation of new work. But what about the work that happens to take these projects from page to stage? In each of our three happy-hour sessions, we’ll speak with a pair of playwright-designer collaborators who have worked together to tell innovative new stories onstage. Drop in for a single session, or sign up for all three! Set and costume designers were recommended by Clint Ramos (TONY Award, Best Costume Design of a Play).

Dates & Times

June 22, 5-7pm E.S.T.

Where

Online (via Zoom)

Bio

Cat Miller is a playwright and director. Her play The Hope Hypothesis was a 2019 semifinalist for Bay Area Playwrights Festival, Premiere Play Festival (Premiere Stages, Kean University), and PlayPenn, and received its premiere under her direction with Voyage Theater Company in Fall 2019 to critical acclaim. Other full-length plays include: Standard of Care, You Will Never Read This (with Caroline Prugh), and her adaptation of Margaret Atwood’s The Handmaid’s Tale (Northwestern University mainstage). She has directed and developed work at the Public Theater, Atlantic Theater Company, Steppenwolf, Ma-Yi Theater, HERE, The Lark, Keen Company, and Ensemble Studio Theatre. As assistant director to Anna D. Shapiro, her credits on and off Broadway include Fish in the Dark, Of Mice and Men, The Motherf**ker With the Hat, Domesticated, The Pain and the Itch. She is the recipient of a Drama League fall fellowship and first stage residency and a finalist for the Edes Foundation Prize for emerging artists. Directing resident at Playwright Horizons and member Lincoln Center Theater Directors Lab. MFA, Northwestern University. Associate Member of SDC; Member, Dramatists Guild.

Zoë Hurwitz is a Set Designer for stage and film based in London and New York. Originally from the UK, she has a training in Fine Art from Chelsea School of Art (University of the Arts London) and has since worked in Theatre, Film and TV. Selected design credits include Marie Antoinette at Brown/Trinity, A Peregrine Falls at The Wild Project, The Hope Hypothesis for Voyage Theater Company at the Sheen Center, Assisted Living (web series), Sing, Goddess at Here Arts, Of The Sea at Access Theatre, Tomorrow Will Take Care Of Itself at NYU/Tisch, The Xander Xyst Experience at Ars Nova/ Antfest, We Anchor in Hope at the Bunker (London), The 5 Plays Project at the Young Vic (London), Lovesong of the Electric Bear at the Hope Theatre (London) and Peckham The Soap Opera at the Royal Court (London). Zoë is a winner of The Linbury Prize for Stage Design UK 2019. MFA-NYU

Free!

Tuition

Register Here

Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

When you register for a PlayPenn class before June 25, 2020, you will be entered into a lottery to receive a session with one of PlayPenn’s hand-picked dramaturgs through Rent-a-Dramaturg (Package A). If you register for a class by the deadline, additional details will be emailed to you.

Sign Up

“PlayPenn classes always get me over the hump and to a completed work.“

-2019 Participant

“Hands down the best class I’ve taken in years.”

-Danielle B., 2019 Participant