Posts Tagged :

    Summer Classes

    Playwriting for Playgoers with John Yearley

    640 433 Play Penn

    After taking this class you will never look at a play the same way again.

    Any theatregoer can tell you about a play they saw that they’ll never forget. But how much do even lifelong theatregoers know about the art of playwriting itself? Playwriting for Playgoers will mix the educational and the experiential so that students will really understand the practice and experience of playwriting. First, we will read and discuss a great play, breaking down how and why it works so well. Then we will do exercises to explore how you write for plays, how you write in the voice of other characters and create conflicts that reveal their deepest truths.

    July 10 and July 16, 6:30 – 9:30pm

    Bluver Theatre at the Drake, 302 S. Hicks Street

    Please read The Glass Menagerie by Tennessee Williams in advance of class.

    John Yearley is the author of The Unrepeatable Moment (“Thought provoking…exhilarating…painfully hilarious” – New York Times, “Yearley is a master” – Huffington Post), Leap (Mickey Kaplan New American Play Prize), Ephemera (John Gassner Award), Another Girl (PlayPenn), and Bruno Hauptmann Kissed My Forehead (Abingdon Theatre). His latest play, Eight Minutes, Twenty Seconds, was workshopped by LABryinth Theatre Company and performed at Temple University. Work for young audiences include The Last Wish (Macy’s New Play Prize for Young Audiences) and an adaptation of Sophocles’ Antigone. Short plays All in Little Pieces and A Low-Lying Fog are available through Samuel French. He currently writes for the animated TV show Treasure Trekkers. Previous TV/film work include the PBS Kids show Arthur, and a stint as a “script doctor” for New Line Cinema. He teaches playwriting and TV writing at Temple University, Drexel University, and the Barrow Group in NYC. Member of the Dramatists Guild, Writers Guild, and twice a MacDowell Fellow.

    $125

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    “PlayPenn instructors genuinely care about helping students improve their writing, and have the practical experience to back up what they teach.”

    -Mark C., 2018 Student

    “I was nervous, but excited before I took this class. And I was very excited when it was finished. I can’t wait to write!”

    -Michelle P., 2018 Student

    21-Hour Summer Playtime Intensive with L M Feldman

    640 433 Play Penn

    Write, play, and discover with PlayPenn instructor L M Feldman in this immersive summer intensive.

    We’ll spend each session in the spark and buzz that comes from writing a lot in a short period of time among a community of other writers who are doing it with you. Each time we meet, we’ll have a prompt or two to run with, a hefty chunk of time to write, and then time at the end for half of the class to share their writing aloud and hear immediate responses on what’s landing, what’s exciting, what we’re hungry for more of. Prompts will be open-ended enough to use however is most useful to you — so feel free to come with a play in mind that you’ve been meaning to write, a half-finished play you’re craving to finish drafting, or utterly fresh and open to just saying a radical yes to whatever ideas come up from each prompt, and then writing to see where they take you!

    Mondays, Wednesdays, and Fridays at 5:30-8:30p: July 29, July 31, August 2, August 5, August 7, August 9, August 12

    Rehearsal Room at the Drake Theatre 

    L M Feldman is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Formally ambitious plays that move, take up space. Plays that are questing, wrestling, asking. Plays without answers. Plays about women and queers, plays about outsiders and searchers. Plays grappling with voice and agency, opportunity and access, history and its wake. Plays about the human connection. Plays that seek to be a greater, communal, rare theatrical event in which something transcendent transpires – for those both onstage & off. Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker’s dozen of short plays. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg.

    $450

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    “PlayPenn instructors genuinely care about helping students improve their writing, and have the practical experience to back up what they teach.”

    -Mark C., 2018 Student

    “I was nervous, but excited before I took this class. And I was very excited when it was finished. I can’t wait to write!”

    -Michelle P., 2018 Student

    Creating Character with Sheri Wilner

    640 433 Play Penn

    Whether you’re revising a play, or beginning a new one, or have a character but no story, the course’s exercises and discussions will apply to you.

    Have your plays ever received one or more of these critiques: “I want to know more about your main character; ” “I don’t understand your protagonist’s objective;” “She’s so passive, what does she want?” or “We need more backstory”? If so, this weekend-long intensive is designed to help you avert such criticism by creating lucid yet complicated three-dimensional characters. Together we’ll work on multiple in-class and at-home writing exercises that help us develop a deep understanding of our character’s wants and needs, psychology and back stories and then how to transmit that understanding to audiences through action and dialogue rather than exposition. Wilner’s class will deepen your knowledge of your current characters and provide tools to create vivid, distinct, three-dimensional characters in your future work.

    Saturday and Sunday, August 10 and 11, 1-5pm

    Young Playwrights Independence Foundation Learning Lab (1219 Vine Street, 2nd Floor: there are stairs and an elevator from the lobby)

    Students will need to come to class having read a play so that we can share a common vocabulary, and to do one short writing exercise in advance. There may be homework overnight.

    Sheri Wilner’s plays include Kingdom City, Bake Off, Father Joy, Relative Strangers, Labor Day, Joan of Arkansas, The End, A Tall Order, Equilibrium, Little Death of a Salesman, and Hunger, and have been performed at such major theatres as the La Jolla Playhouse, Old Globe, Guthrie Theater, Actors Theatre of Louisville, Williamstown Theatre Festival, the O’Neill Playwrights’ Conference, City Theatre (Miami), Naked Angels, Primary Stages, New Georges, Contemporary American Theatre Festival and Old Vic/New Voices in London. Her work has been published in over a dozen anthologies and have received over four hundred productions across the United States as well as in Australia, Denmark, Germany, Ireland, Japan, United Kingdom and India. Also an established playwriting teacher, Sheri is currently on the faculty of New York University, the Dramatists Guild Institute and is the Master Playwright for the Miami Dade Department of Cultural 2017-19 Playwrights Development Program.

    $170

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    “PlayPenn instructors genuinely care about helping students improve their writing, and have the practical experience to back up what they teach.”

    -Mark C., 2018 Student

    “I was nervous, but excited before I took this class. And I was very excited when it was finished. I can’t wait to write!”

    -Michelle P., 2018 Student

    Diving into the PlayPenn Conference with Michele Volansky

    1024 681 Play Penn

    In celebration of PlayPenn's 15th Anniversary New Play Development Conference, join Associate Artistic Director and Conference Dramaturg Michele Volansky in an exploration of the six extraordinary plays in our 2019 roster.

    This course will meet to discuss each of the Conference plays during their second week of public readings, teasing out thematic links and talking through the Conference season as a whole. Students will also read the starting drafts of each script, examining how the projects grow and evolve over the course of the Conference.

    Class: Tuesday, 7/16: 7-8pm (online)

    Attend Reading: STRANGE MEN on 7/25 at 7pm

    Class: Thursday, 7/25, 9-10p

    Attend Reading: THE PIPER on 7/26 at 8pm

    Class: Saturday, 7/27: 12:30-1:30pm

    Attend Reading: INCENDIARY at 4pm and ARCHIPELAGO at 8pm on 7/27

    Class: Sunday, 7/28: 11:30a-1:30pm

    Attend Reading: CAVE CANEM at 2pm and WAYFINDING at 5pm on 7/28

    Class: Monday, 7/29: 6-8pm (online)

     

    A seat will be reserved for you at each of the Conference readings listed above.

    The Drake Theater, Center City Philadelphia (locations TBD) and online

    Each student will be required to read six scripts and attend the six Conference readings (final week) as part of the course, and will have a seat reserved as part of their registration.

    Michele Volansky is Chair and Associate Professor of Drama at Washington College (MD), from which she earned a B.A. in English. She has worked on nearly 200 new and established plays in her professional career, developing new works by such writers as Sam Shepard, Daniel Stern, Warren Leight, Jeffrey Hatcher, Bruce Graham, Tina Landau, Charles L. Mee and Bruce Norris, along with many others. Her work on Shepard’s rewrite of Buried Child (directed by Gary Sinise) and Dale Wasserman’s One Flew Over The Cuckoo’s Nest (directed by Terry Kinney and starring Gary Sinise) earned her two Broadway credits and participation in the Tony Award for Best Revival of Cuckoo’s Nest. She has guest dramaturged at the Arden Theater Company, South Coast Rep, the Atlantic Theatre Company, Victory Gardens and Next Theatre, in addition to her staff time at Actors Theatre of Louisville (1992-95), Steppenwolf Theatre Company (1995-2000) and Philadelphia Theatre Company (2000-2004). Her own play Whispering City was produced as part of the Steppenwolf Arts Exchange Program in the Fall of 1999. Since its inception, Dr. Volansky has served as Conference Dramaturg and Associate Artist for the Philadelphia-based new play development conference PlayPenn. She has served as an artistic consultant for the TCG playwright residency program, a reader for the Eugene O’Neill Center’s National Playwrights Conference and the New York Shakespeare Festival/The Joseph Papp Public Theatre’s Emerging Voices Program, as well as a grants review panelist for Philadelphia-area arts organizations. She is the 1999 inaugural co-recipient of the Elliot Hayes Award for Dramaturgy and was the President of LMDA, the Literary Managers and Dramaturgs of the Americas (2002-2004). Volansky’s book on playwriting and collaboration with Bruce Graham entitled The Collaborative Playwright was published in March, 2007 by Heinemann Press. She holds an M.A. from Villanova University and a PhD from the University of Hull (England); her dissertation explores the politics and advocacy of the critics Kenneth Tynan and Frank Rich.

    $135

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    “PlayPenn instructors genuinely care about helping students improve their writing, and have the practical experience to back up what they teach.”

    -Mark C., 2018 Student

    “I was nervous, but excited before I took this class. And I was very excited when it was finished. I can’t wait to write!”

    -Michelle P., 2018 Student

    One-Person Show Intensive

    150 150 Play Penn

    With Nilaja Sun. Popular Returning Class! Open to students who have worked with Sun on their show and wish to continue, or students who are working with her for the first time

    Obie award winning Nilaja Sun returns to Classes at PlayPenn with her specialized intensive designed to facilitate returning students, who are working on their own solo pieces. Students will continue to craft their pieces while finding dynamic ways to perform their stories, unique to each student’s strengths. Students will also continue to work on discovering how their bodies, voices and life experiences can set their solo pieces apart from others. Be ready to move, laugh, cry, feel and inspire. The world needs your story!

    July 14 and July 15, 1pm-5pm

    Philadelphia Young Playwrights Learning Lab

    1219 Vine Street, Floor 2

    Philadelphia, PA 19107

    Bring up to 12 minutes of your solo show with you.

    Nilaja Sun is the solo performer and writer of the Off-Broadway smashes No Child… and her new show, Pike Street. For her creation and performance of No Child… and its subsequent national tour, Nilaja garnered 21 awards including: an Obie Award, a Helen Hayes Award a Lucille Lortel Award, and two Outer Critics Circle Awards including the John Gassner Playwriting Award for Outstanding New American Play. Theatre credits also include The Commons of Pensacola, Einstein’s Gift, Time and The Conways, Huck and Holden, and The Cook. Tv/Film credits include Madam Secretary, Louie, 30 Rock, Law & Order: SVU, Unforgettable, The International, and Rubicon. As a solo performer, her projects include the critically acclaimed Blues for a Gray Sun (INTAR), La Nubia Latina, Black and Blue, Insufficient Fare, Due to the Tragic Events of…, and Mixtures. Nilaja was awarded the soloNOVA Award for Artist of the Year by terraNOVA Collective and was recently awarded a NYSCHA grant. A native of the Lower East Side, she is a Princess Grace Award winner and has worked as a teaching artist in New York City for over 15 years.

    $250

    Tuition

    Register Here

    As class begins shortly, please email classes@playpenn.org

    “I have travelled from the Harrisburg area for several PlayPenn workshops. Well worth my travel time and the cost of a train ticket!”

    -Cindy D, 2018 Student

    “PlayPenn classes inspire me to write more, and help build my confidence in my writing ability.”

    -Mark, 2017 Student

    Writing Lyrics for Musical Theatre with Michael Hollinger

    640 433 Play Penn

    Playwrights and songwriters of all experience levels welcome!

    Musical theatre is one of the most challenging – and rewarding – types of dramatic writing, with more moving parts and collaborators than any other form. In this hands-on workshop, playwrights and songwriters will develop their skills as lyricists, from the macro (song plots, types, and structures) to the micro (prosody, meter, rhyme). Students will explore how sung text relates to spoken dialogue, how character is revealed through words and music, and how songs can advance, rather than stop, the narrative. Assignments and in-class exercises complement a shared inquiry into the many jobs theatre songs must accomplish – among them, simply delighting the ear.

    July 11, July 17, & July 24 from 6pm-9pm

    The Bluver Theater at The Drake, 302 S. Hicks Street, Philadelphia, PA

    Reading: Craig Lucas’ Reckless. If you do not have a copy of this play please email PlayPenn Education (classes@playpenn.org) and we can help you find one.

    Michael Hollinger is a playwright, lyricist and composer, the author of hundreds of songs and over a dozen plays and musicals, including TouchTones (with composer Robert Maggio), Opus, Incorruptible, Red Herring, An Empty Plate in the Café du Grand Boeuf, Cyrano (co-adapted with Aaron Posner), and A Wonderful Noise (with Vance Lehmkuhl), among others. These works have been produced around the country, in New York City, and abroad. Michael is the recipient of four Barrymore Awards, an ATCA/Steinberg New Play Citation, an L.A. Drama Critics Circle Award, a Mid-Atlantic Emmy, nominations for Lucille Lortel and John Gassner awards, and multiple fellowships from the Independence Foundation and Pennsylvania Council on the Arts.  He is a Professor of Theatre at Villanova University, a proud alumnus of New Dramatists and PlayPenn, and (with Jacqueline Goldfinger and Quinn Eli) co-founder of The Foundry, a core program of PlayPenn.

    $250

    Tuition

    Register Here

    Online registration has been closed. If you would like to sign up, please email classes@playpenn.org.

    “PlayPenn is a wonderful organization that works on providing resources and knowledge for playwrights and dramatists in the Philadelphia area. It really is a great organization that focuses on bringing like-minded people together to ironically think differently in order to bring out creativity and individualism. It’s a wonderful organization that I’ve just gotten into in the past half year, and plan to stick with for the unforeseeable future.”

    -Devin, 2018 Student

    “Gave me an instant cohort of writers to provide feedback, encouragement and inspiration – I was hearing my own voice, and it was great.”

    – Ross, 2017 Student

    Writing from Inside and Outside of Your Play with Winter Miller

    1024 730 Play Penn

    Perfect for writers of all experience levels!

    Writing strong characters with authentic dialogue is a craft, but it begins with being able to listen and observe, repeat and hone. Generally, we are our own biggest obstacles—fear of not knowing, fear of being wrong, fear of committing to something. It’s important to write as intimately and specifically as you can, just as it is useful to write as epically and universally as you desire. It’s a tightrope. It’s an inside job. You can come at it from the outside in or the inside out. But the secret is, you need both paths. We will do a mix of writing prompts and reading aloud. You will leave this workshop with a firm grasp of what and whom you’re writing about and what your next steps are.

    July 7, 9am-Noon EST

    July 8, 3-6pm EST

    July 9, 6-9pm EST

    July 10, 6-9pm EST

    Online. We will use www.zoom.us and a link will be emailed to you prior to class. You must have a working internet connection.

    Come in with a photograph of someone you don’t know but something about them compels you and you want to write about them. Could be a photograph with two people in it; come in with a line from a poem that speaks to you; come in with an obituary you read that made you wonder, what was that person like? If you have it, come with the story you want to tell, and if you don’t, let’s find it and you’ll begin it.

    Winter Miller is an award-winning playwright and founding member of the Obie-recognized collective 13 Playwrights. She is best known for her drama IN DARFUR which premiered at The Public Theater. IN DARFUR won the “Two-Headed Challenge” commission from the Guthrie Theatre and the Playwrights Center. Winter traveled with her former boss, New York Times Pulitzer-winning columnist Nicholas Kristof to the Sudan border to research on the ground. IN DARFUR has been produced in Chicago, Washington, D.C., Atlanta, Florida, Massachusetts and Canada. Her plays include NO ONE IS FORGOTTEN (Kilroys Hon Mention, 2016, The Magic Theatre’s Playwrights Week 2016, Salt Lake Acting Company Playlab 2017), SPARE RIB (Relentless Awards Hon Mention 2016, Kilroys Hon Mention 2015, Civilians R&D), LOOK AT US (The Cherry Lane), and IN DARFUR (The Public Theater and regional prods at TimeLine, WAM, Theatre J, Horizon, The Landing, THE PENETRATION PLAY (Dir. Josh Hecht, 13P, NYC). Her work has been supported by NYFA Artist 2016, The Civilians R&D Lab 2015, The Lark 2014, Playwrights Center Core Writer Residency 2011-2014, and fellowships from Sundance Institute, Hedgebrook, The Cherry Lane, the Lark, Orchard Project, Space on Ryder Farm, New York Theatre Workshop Monday @3 and Blue Mountain Center. She is a New Georges Affiliated Artist. A playwriting instructor and mentor, Ms. Miller leads Weekend Warrior Intensives and Series Six workshops. Adjunct Professor at The New School MFA, SUNY Purchase B.A., Primary Stages ESPA, Visiting Lecturer Princeton, New York Theatre Workshop’s Mind the Gap, Girl Be Heard, Sundance Institute, Stella Adler Outreach, Arts Connection TRaC (2x finalist President’s Coming Up Taller Award) and worked with youth in refugee camps in Northern Uganda and Palestine. She has made plays with marginalized youth, HOME/AWAY (Theatre Askew) and CONSPICUOUS (Keen Company).

    $200

    Tuition

    Register Here

    To register, please email us ASAP as the class begins shortly. Email: classes@playpenn.org

    “An unbelievable environment of support and encouragement. Continuously encouraged growth of any idea that was presented in the class.”

    -Tom, 2018 Student

    “I was impressed with the diversity of age, race, and professional backgrounds of the people in my class. It made for a rich experience.”

    -Aisha, 2017 Student

    Finding the Path in the Forest of Facts: Writing Research-Driven Plays with Tira Palmquist

    640 480 Play Penn

    Perfect for writers with some experience writing either short or full length plays!

    Writing about “hot-button” sociological, political, or scientific issues can provide a lot of fodder for a dramatic piece – but how do you avoid having your research overwhelm your play or avoid having your play sound like a lecture? This class will cover how to use research well so that the research becomes dramatically necessary, or better yet, so that the research becomes the dramatic engine of the play. We’ll discuss how to do research, when to stop researching, and how to find that exciting point where aesthetics and information collide. In addition to discussing the general principles of finding the poetry and promise of more scientific subjects, we’ll also look at samples of plays that do this well. Finally, you’ll have an opportunity to workshop some scenes rooted in your own research, and then to develop a plan for a longer process.

    August 2 and August 9, 6-8pm EST

    Online. We will use www.zoom.us and a link will be emailed to you prior to class. You must have a working internet connection.

    Ideally, students will have a topic and some research done before the first session.

    TIRA PALMQUIST’s plays include The Way North, Overburden, Two Degrees (Denver Center), And Then They Fell (MadLab Theater, Brimmer Street), Ten Mile Lake (Serenbe Playhouse), Age of Bees (MadLab Theater, Tesseract) and This Floating World. Two Degrees premiered in the Denver Center’s 2016/17 Season and was listed in the 2016 Kilroys Honorable Mention List. Ten Mile Lake was a finalist for the 2015 Primus Prize. She has been a director, dramaturg and playwright at Seven Devils Playwrights Conference and the New Territories Playwriting Residency, a program she developed with Brian Clowdus at Serenbe Playhouse. More info at www.tirapalmquist.com.

    $85

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all our course offerings and register for a slot in this class.

    For questions or to inquire about payment plans, please email classes@playpenn.org.

    “When you leave a PlayPenn class, your brain is so full of ideas and new tools, and your heart is full from this new network of collaborators you have just met. Old ideas are revived by the teachers, the tools, and the people in the room. I always leave the class ready to work.”

    -Jamie, 2017 Student

    “An unbelievable environment of support and encouragement. Continuously encouraged growth of any idea that was presented in the class.”

    -Tom, 2018 Student
    John Yearley

    Playwriting for Playgoers with John Yearley

    1024 1024 Play Penn

    Perfect for theater lovers and artists of all experience levels!

    Any theatregoer can tell you about a play they saw that they’ll never forget. But how much do even lifelong theatregoers know about the art of playwriting itself? Playwriting for Playgoers will mix the educational and the experiential so that students will really understand the practice and experience of playwriting. First, we will read and discuss a great play, breaking down how and why it works so well. Then we will do exercises to explore how you write for plays, how you write in the voice of other characters and create conflicts that reveal their deepest truths. After taking Playwriting for Playgoers, you will never look at a play the same way again.

    July 16 and July 25, 6:30pm-9:30pm

    The Bluver Theater at The Drake, 302 S. Hicks Street, Philadelphia, PA

    Reading: Please read The Glass Menagerie by Tennessee Williams in advance of class.

    John Yearley

    John Yearley is the author of The Unrepeatable Moment (Barrow Group), Leap (Kaplan New American Play Prize, Cincinnati Playhouse in the Park), Antigone (adaptation, Cincinnati Playhouse in the Park), Ephemera (Gassner Award, Summer Play Festival), and Another Girl (PlayPenn, Naked Angels). His plays All in Little Pieces and A Low-Lying Fog are published by Samuel French. He is currently writing for the PBS Kids show Arthur and worked as a script doctor for New Line Cinema. He’s a member of the Writer’s Guild of America, the Dramatists Guild, and twice a MacDowell Fellow. He holds a MFA in Playwriting from Temple University.

    $125

    Tuition

    Register Here

    This course begins shortly. Please email classes@playpenn.org to register.

    “PlayPenn is a wonderful organization that works on providing resources and knowledge for playwrights and dramatists in the Philadelphia area. It really is a great organization that focuses on bringing like-minded people together to ironically think differently in order to bring out creativity and individualism. It’s a wonderful organization that I’ve just gotten into in the past half year, and plan to stick with for the unforeseeable future.”

    -Devin, 2018 Student

    “PlayPenn classes inspire me to write more, and help build my confidence in my writing ability.”

    -Mark, 2017 Student

    Agents, Agency, and Ack! How Do I Get My Plays Produced?

    640 480 Play Penn

    Cocktails and Real Talk with NYC Agent Beth Blickers

    Beth Blickers has over 20 years experience as an agent for playwrights, composers, directors and choreographers in New York City. She is currently an agent at APA (formerly of William Morris Agency and Abrams Artists Agency) and a national advocate for playwrights. She will sit down with Jacqueline Goldfinger to talk a little bit about agenting, how you know it’s the right time to approach an agent, and what to say when you do. Then we will have a moderated 45-minute Q&A following by an hour networking mixer where participants have a chance to chat with Beth and also with each other to meet collaborators who will help forward your work.

    July 12, 2018 from 6pm-8pm

    The private room at Fergie’s Pub, 1214 Sansom Street, Philadelphia, PA 19107. The downstairs bar will be open beforehand, during and after. You are welcome to bring your food and drink upstairs with you for the event.

    Beth Blickers is currently an agent at APA, where she represents writers, composers, directors and choreographers for theatre, television and film. She began her career at the William Morris Agency, where she began work after graduating from New York University. She has served on the jury panel for the Weissberger Award, the Ed Kleban Award, the Lark’s PONY Fellowship, participated in the Non-Traditional Casting Project, Inc.’s roundtable on inclusion and diversity in the theatre, and has presented workshops and sessions on agenting, playwriting, directors and choreographers and related topics for organizations such as the Society of Directors and Choreographers Foundation, the Dramatists Guild, Musical Theatre Works, the Lark, New York University, the National Alliance for Musical Theatre and the Texas Education Theatre Association. She is a Past President and Board member of LMDA, and is proud to be the board chair emeritus of Theatre Breaking Through Barriers, a New York company that works with artists with disabilities.

    $50

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all our course offerings and register for a slot in this class.

    For questions or to inquire about payment plans, please email classes@playpenn.org.

    “I have travelled from the Harrisburg area for several PlayPenn workshops. Well worth my travel time and the cost of a train ticket!”

    -Cindy D, 2018 Student

    “PlayPenn classes inspire me to write more, and help build my confidence in my writing ability.”

    -Mark, 2017 Student