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    Winter Classes

    Dialogue and the Voice in Theatrical Writing with R. Eric Thomas

    640 433 Play Penn

    Dialogue builds the universe for our plays

    From the rat-a-tat of witty banter to page-long dramatic monologues to moments of silence that hang in the air like fog, dialogue builds the universe for our plays. In this two-day intensive, we’ll pull clear takeaways from well-known examples, try our hands at various methods, and have a chance to revise dialogue from pieces of our own.

    April 11 and 12: 1-5pm

    Center City Philadelphia

    TBD

    R. Eric Thomas won the 2016 Barrymore Award for Best New Play and the 2018 Dramatist Guild Lanford Wilson Award and was a finalist for the 2017 Steinberg/ATCA New Play Award. He is the recipient of a 2017/2018 National New Play Network Commission and has also been commissioned or produced by the Arden, Simpatico, Azuka Theater, Single Carrot Theater, About Face Theater, City Theater Miami, Act II Playhouse and more.  He has two books coming in 2020: his debut memoir-in-essays, HERE FOR IT (Ballantine Books/February) and RECLAIMING HER TIME (Dey Street/Fall), a biography of Rep. Maxine Waters. Recent productions include SAFE SPACE, MRS HARRISON (Barrymore nomination – Best New Play), and TIME IS ON OUR SIDE. He is an alumnus of The Foundry, the Lambda Literary Fellowship, and the Ingram New Works Project.  Website: Rericthomas.com,  New Play Exchange profile here.

    $185

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    PlayPenn classes always get me over the hump and to a completed work.

    -2019 Student

    I walked away with an arsenal of guidelines for what makes a high-concept play, but also with half a notebook full of fantastic off-the-cuff breakthroughs and exercises.

    -Danielle B., 2019 Student

    Improvisational Writing with Wendy Goldman

    640 433 Play Penn

    When we let go of the reins, no telling how we’ll surprise ourselves!

    This workshop uses improvisational writing games to inspire creativity. There’s a reason improv games are called “games” — to get us back in touch with a more playful part of ourselves. When we lose the ability to go with whatever comes up, we stifle our originality. Improv helps to silence the critical voices in our heads. The class is intended to be light, deep, serious, funny, whatever the moment stirs up. It is process-oriented rather than product-oriented. But the short pieces the students create could be the seeds of longer projects they never dreamed of writing. Some pieces will be based on the students’ memories and some engage the imagination, all guided with specific instructions and prompts.

    May 2-3 from 1-5pm

    Center City Philadelphia

    TBD

    No preparation, homework, or performing involved. This course is designed for all levels. For experienced writers, it’s an opportunity to have fun and connect with why they wanted to write in the first place. For new writers, this class is ideal. You don’t need to know anything, prepare anything, or do anything other than show up and be open. All are welcome.

    Wendy Goldman has had a long career as a film and TV writer-producer. Most recently, she was an Executive-Producer on the critically acclaimed MTV series “Faking It.” Wendy started as an actress and was a company member of the famed LA comedy troupe, The Groundlings. Her improv background informed the way she writes, how she developed characters, and found her voice as a writer. Wendy currently lives and writes plays in NYC. She’s led a variety of Master Classes, including at Hedgebrook Writers Retreat and the Writers Guild of America East, and has been a guest lecturer at colleges such as UC Riverside and Claremont McKenna College Center for Writing and Public Discourse. She regularly offers “Improv for Writing” workshops for new and experienced writers of all genres and consults as a Writing Coach.

    $185

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    “PlayPenn is the best creativity incubator in town.”

    -2019 Student

    “PlayPenn offers wonderful courses with insightful instructors. … What a treat to be able to study with the best in playwriting for a reasonable fee.”

    -Pam P., 2019 Student

    Poetry and Poetic Language in Theater with Charly Evon Simpson (online)

    640 433 Play Penn

    Travel the line between poetry and theater, discovering when both forms can help us tell better stories.

    Style and syntax of language can transform how a play sounds to its audience: how characters interact, how scenes move, how audiences understand text and subtext, and so much more. In this workshop, we will dive into using and investigating poetic language in theatrical writing. We’ll travel along the line between poetry and theater, reading, writing, and discovering the times when both forms can help us tell better stories.

    Tuesdays, May 5, 12, 19, 26 (online): 7-9pm EST

    Online via Zoom

    Charly Evon Simpson’s plays include Behind the Sheet, Jump, form of a girl unknown, it’s not a trip it’s a journey, and more. Her work has been seen and/or developed with Ensemble Studio Theatre, The Lark, P73, The Eugene O’Neill Theater Center, PlayMakers Repertory Company, Chautauqua Theater Company, Salt Lake Acting Company, and others. She is a recipient of the Paula Vogel Playwriting Award and the Lanford Wilson Award. Commissions she has received include ones from MTC/Sloan, Cleveland Playhouse, EST/Sloan, and one of the 2020 Elizabeth George Commissions through South Coast Repertory. Charly is currently a member of WP Theater’s 2018-2020 Lab and The New Georges Jam. She’s a former member of SPACE on Ryder Farm’s The Working Farm, Clubbed Thumb’s Early Career Writers’ Group, and Ensemble Studio Theatre’s Youngblood. BA: Brown University. MSt: University of Oxford. New College. MFA: Hunter College. www.charlyevonsimpson.com

    $170

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    Each class I’ve taken at PlayPenn has proven valuable in my development as playwright. Having the opportunity to focus on and develop specific aspects of writing proves incredibly useful.

    -Peter C., 2019 Student

    This class was the most satisfying I’ve taken as an adult.

    -Lauren L., 2019 Student

    Finding Your True Subject with Anne Marie Cammarato and John Yearley

    640 433 Play Penn

    How to Write the Plays That Only You Can Write

    As audiences, we have all sat though plays wondering why the playwright has chosen this particular subject to write about. As playwrights, we have all struggled to approach a subject that we want to write about but can’t find our way into. Finding Your True Subject provides the tools to unlock these subjects, striving to help each writer discover what you (and only you) can bring to a subject, whether that subject is autobiographical or not. This class will assist students in identifying their true subjects and celebrating what they can uniquely bring to a play.

    Mondays, March 23 and 30, April 6 and 13, at 7-10pm

    Center City Philadelphia

    TBD

    Anne Marie Cammarato is a playwright and director, whose plays include Hazel, Bobby James, Milk Pie, A Scar, 10 Months, and The Big Room. Her work has been developed at PlayPenn, Theatre Exile, Temple University, University of the Arts and the Resident Ensemble Players. She has worked throughout the country at theaters including Cincinnati Playhouse in the Park, Madison Repertory Theater, Theatre X, Milwaukee Repertory Theatre, Renaissance Theatreworks, and Delaware Theatre Company, where she served as Artistic Director for six seasons. She was a finalist for the Leah Ryan Fund prize (2015) and in 2012, she was the Established Literary Fellow in Playwriting for the State of Delaware. She is a proud member of the Dramatists Guild and the Stage Directors and Choreographers Society. She has taught at the University of Delaware and Temple University, and is currently Playwright in Residence at the University of Mississippi.

     

     

    John Yearley is the author of The Unrepeatable Moment (“Thought provoking…exhilarating…painfully hilarious” – New York Times, “Yearley is a master” – Huffington Post), Leap (Mickey Kaplan New American Play Prize, Cincinnati Playhouse in the Park), Ephemera (John Gassner Award), Another Girl (PlayPenn), and Bruno Hauptmann Kissed My Forehead (Abingdon Theatre). His latest play, Eight Minutes, Twenty Seconds, was workshopped by LABryinth Theatre Company and performed at Temple University. Work for young audiences include The Last Wish (Macy’s New Play Prize for Young Audiences) and an adaptation of Sophocles’ Antigone. Short plays All in Little Pieces and A Low-Lying Fog are available through Samuel French. He currently writes for the children’s TV program Treasure Trekkers and has worked previously on PBS Kids’ Arthur and as a “script doctor” for New Line Cinema. Teaches playwriting, TV Writing, and screenwriting at Temple University, Drexel University, and the Barrow Group in New York City, as well as being a lead artist of the Foundry, a playwriting group in Philadelphia. Member of the Dramatists Guild, Writers Guild, and twice a MacDowell Fellow.

    $275

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    John Yearley is one of the best instructors I’ve encountered (like, ever. College included.)

    -Danielle B., 2019 Student

    Each class I’ve taken at PlayPenn has proven valuable in my development as playwright. Having the opportunity to focus on and develop specific aspects of writing proves incredibly useful.

    -Peter C., 2019 Student

    Reimagining Solo Performance: A Weekend Intensive with Nilaja Sun

    640 433 Play Penn

    Perfect for writers/performers working on one person shows or looking to begin a new one!

    Obie Award-winning Nilaja Sun returns with a specialized intensive designed to facilitate students, who are working on their own solo pieces, in honing the craft of writing and performing a dynamic one person show. Students will discover how their body, voice and unique story telling abilities can set their solo pieces apart from rest. Be ready to move, create and get motivated to finally tell your story, inspire audiences and be the change you want be!

    March 21 and 22, 2020: 1-5pm

    Center City, Philadelphia

    TBD

    Please prepare 5-10 minutes of a solo piece you’d like to work on. This course is designed for all artists interested in taking their solo pieces to their next level.

    Nilaja Sun is an actor, solo performer and teaching artist most known for her Obie award winning solo piece No Child… which was directed by Hal Brooks and originally commissioned and produced by Epic Theatre Ensemble. For her creation and performance of No Child… and its subsequent international tour, Nilaja garnered 21 awards including: an Obie Award, a Lucille Lortel Award, two Outer Critics Circle Awards including the John Gassner Playwriting Award for Outstanding New American Play, a Theatre World Award, the Helen Hayes Award, two NAACP Theatre Awards, and was awarded the soloNOVA Award for Artist of the Year by terraNOVA Collective.

    Her latest solo piece Pike St., directed by Ron Russell and originally commissioned and produced by Epic, had its world premiere at the Abrons Arts Center in the Lower East Side, which was followed by an international tour at the Woolly Mammoth Theatre Company, Pillsbury House, Detroit Public Theatre, and Berkeley Repertory Theatre, as well as Melbourne, Australia, Dublin, Ireland and Edinburgh, Scotland where she won the Edinburgh Award.

    TV/FILM: Madam Secretary, The Good Wife, BrainDead, 30 Rock, Law & Order: SVU, Unforgettable, Louie, The International, Youth in Oregon and Rubicon.

    A native of the Lower East Side, she is a Princess Grace Award recipient, and has taught drama, playwriting and solo performance in high schools and colleges in New York, New Jersey, Bridgeport, CT, Detroit, MI, Washington D.C, Oakland, CA, Tanzania, Africa for 20 years.

    $250

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    The coursework was rigorous, rewarding and truly collaborative. [The instructor] was generous in sharing her experiences, knowledge, and truth and gracious in receiving and responding to that of others.

    -Lauren L., 2019 Student

    PlayPenn classes always get me over the hump and to a completed work that I’m proud to attach my name to.

    -2019 Student

    Playwriting 101 with Quinn D. Eli

    640 433 Play Penn

    A perfect way to dive into playwriting head first!

    Join playwright, educator, and Foundry co-founder Quinn D. Eli for an in-depth introduction to the art and craft of playwriting. Whether you’re a professional writer or haven’t written a word, this class is great both for polishing skills and picking up new ones. The course will incorporate short writing exercises while talking through theatrical structures, character development, establishing a sense of place, dialogue and monologue language, and more.

    Thursdays, April 2, 9, 16, 23: 6-8pm

    Center City Philadelphia

    TBD

    Quinn Eli

    Quinn D. Eli grew up in the Bronx and lives now in Philadelphia. His short plays have appeared in Best American Ten-Minute Plays and been produced throughout the country. Longer works include the award-winning My Name is Bess, produced by Trustus Theatre; Hazardous, produced locally at Society Hill Playhouse; and Hot Black/Asian Action, a satire about sexual and racial stereotypes that premiered at the New York International Fringe Festival. The two-time recipient of Fellowships in Literature from the Pennsylvania Council on the Arts, Eli has served as a Playwright-in-Residence at Plays & Players Theatre.

    $170

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before March 1, 2020 you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in summer 2020. Only plays that have not had a professional production or reading will be considered. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    This class was the most satisfying I’ve taken as an adult. It was challenging, thought-provoking and illuminating.

    -Lauren L., 2019 Student

    PlayPenn is the best creativity incubator in town.

    -2019 Student

    Creating an Electrifying 10-Minute Play with Deborah Zoe Laufer

    640 493 Play Penn

    Designed for short-form pros and novices alike!

    Most successful ten-minute plays have all the elements of successful full-length plays – conflict, high stakes, suspense, complex characters with strong needs, a big unifying idea. And that all must take place within ten pages. In this class, we’ll examine the ten-minute play, and, through a series of exercises — some drawing from memory, some flights of fancy — we’ll write our own short plays! You’ll leave with two early drafts of 10-minute plays by the end of the weekend. We’ll also discuss where to send those plays once they’re polished, and what “polishing” entails. Deb will walk you through exercises to create new work and break out of your usual patterns.

    February 23 and 24: 1 – 5pm

    The Drake Downstairs Rehearsal Hall, 302 South Hicks Street, Philadelphia, PA

    Deborah Zoe Laufer’s plays have been produced at Steppenwolf Theatre Company, Cleveland Playhouse, Geva Theatre Center, Cincinnati Playhouse in the Park, Portland Stage, and The Humana Festival. Informed Consent, was developed at PlayPenn in 2013. It was an Alfred P. Sloan/EST commission and appeared at The Duke Theatre in NYC in 2015 where it was a NYTimes Critic’s Pick. End Days won The ATCA Steinberg citation, and has received over 70 productions around the country, and in Germany, Russia and Australia. Other plays include Leveling Up, Out of Sterno, The Last Schwartz, Sirens, Meta, The Gulf of Westchester, Miniatures, Fortune, and Be Here Now. Deb is a recipient of the Helen Merrill Playwriting Award and the Lilly Award, a graduate of Juilliard, an alumna of the BMI Lehman Engel Musical Theatre Workshop and a member of The Dramatists Guild. DEBORAHZOELAUFER.com

    $170

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before January 15, 2018, you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in the spring/summer of 2019. Only plays that have not had a professional production or reading will be considered. PlayPenn will cover the cost of the reading, but the student is responsible for their own housing and transportation. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    “PlayPenn instructors genuinely care about helping students improve their writing, and have the practical experience to back up what they teach.”

    -Mark C., 2018 Student

    “I was nervous, but excited before I took this class. And I was very excited when it was finished. I can’t wait to write!”

    -Michelle P., 2018 Student

    Dramaturgy 101 with Julia Bumke

    640 433 Play Penn

    What is a dramaturg—why do you need one, and why should you want to be one?!

    This course introduces various aspects of dramaturgy to the playwright who is hungry to collaborate, both with a dramaturg and with other playwrights. It’ll approach dramaturgy from both sides of the creative process, with tips for fruitful collaboration, case studies of dramaturgical challenges in new play development, samples of research-based dramaturgy projects, and more. Students will walk away with a toolkit of dramaturgical skills that will make them better prepared for professional environments as playwrights, dramaturgs, and generative artists.

    March 5, 8, 12, and 15, 6pm-8pm E.S.T.

    Online

    Julia is a Philadelphia-based new work dramaturg who is passionate about fostering playwrights, librettists, and composers at all stages of their careers. Julia’s recent work includes premieres and workshops with Opera Philadelphia, PEAK Performances at Montclair State University, Music-Theatre Group, the American Repertory Theater, Lincoln Center Theater, the Eugene O’Neill Theater Center, and Passage Theatre Company, among others. She has served as a reader for PlayPenn, SPACE on Ryder Farm, Musical Theatre Factory, the O’Neill’s National Playwrights Conference, the A.R.T., and Williamstown Theater Festival. She’s the Director of Education at PlayPenn, a Board member of Philly-based Directors Gathering, and a regional VP for Literary Managers and Dramaturgs of the Americas (LMDA). An alumni of the National Critics Institute at the O’Neill (Chris Jones, mentor), Julia received her M.F.A. from the A.R.T. Institute at Harvard, and her A.B. from Princeton University.

    $150

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before January 15, 2018, you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in the spring/summer of 2019. Only plays that have not had a professional production or reading will be considered. PlayPenn will cover the cost of the reading, but the student is responsible for their own housing and transportation. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    “This was an unbelievable learning experience for both beginners and experienced playwrights. [My teacher] was inspiring and encouraging, smart and effective, wise and warm, informed and generous.”

    Emma L., 2018 Student

    “If you are thinking about taking a class from PlayPenn, do it.”

    -Stacey, 2018 Student

    Seven-Week Intensive with L Feldman: Full Draft Workshop

    640 433 Play Penn

    Level up with beloved PlayPenn instructor L Feldman in this new seven-week experience for advanced writers.

    Each week, the class will workshop a complete draft of a full-length play from its students. This class is recommended for students who have taken seven-week intensives with PlayPenn before, either with L Feldman or John Yearley, and who are eager to dive deeper into their playwriting practice. If you have questions about your eligibility, please reach out to Education Director, Julia Bumke, at classes@playpenn.org.

    Tuesdays, 5:30-8:30pm: February 26 – April 9

    The Drake, 302 South Hicks Street, Philadelphia, PA

    This course is recommended for those who have already taken a seven-week intensive with PlayPenn, and who seek to develop a full-length work further. It will be capped at 8 students.

    L M Feldman is a queer, feminist playwright (and circus artist) who pens plays that are wildly theatrical but deeply intimate. Formally ambitious plays that move, take up space. Plays that are questing, wrestling, asking. Plays without answers. Plays about women and queers, plays about outsiders and searchers. Plays grappling with voice and agency, opportunity and access, history and its wake. Plays about the human connection. Plays that seek to be a greater, communal, rare theatrical event in which something transcendent transpires – for those both onstage & off. Her plays include THRIVE, OR WHAT YOU WILL (Page 73 Residency, New Georges Audrey Residency); ANOTHER KIND OF SILENCE (Magic Theatre Virgin Play Festival, PlayPenn Conference, Playwrights Realm Fellowship, FEWW Prize Honorable Mention); AMANUENSIS (Georgetown University); A PEOPLE (Orbiter 3, Jewish Plays Project); THE EGG-LAYERS (Jane Chambers Honorable Mention, New Georges/Barnard College commission); GRACE, OR THE ART OF CLIMBING (Denver Center, Art House Productions, Nice People Theatre, ATCA/Steinberg New Play Award Nomination, Barrymore Nomination); ensemble-devised works, including GUMSHOE (New Paradise Labs + Free Library of Philadelphia + Rosenbach Museum), WAR OF THE WORLDS: PHILADELPHIA (Swim Pony + Drexel University), AND IF YOU LOSE YOUR WAY, OR A FOOD ODYSSEY (The Invisible Dog, New York Innovative Theatre Award Nomination), and others; and a baker’s dozen of short plays. A graduate of the Yale School of Drama, L is also a New Georges Affiliated Artist, a devised-work collaborator, a teacher of playwriting (Bryn Mawr College, Lantern Theatre/Jefferson Medical School, PlayPenn), and a freelance dramaturg.

    $500

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before January 15, 2018, you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in the spring/summer of 2019. Only plays that have not had a professional production or reading will be considered. PlayPenn will cover the cost of the reading, but the student is responsible for their own housing and transportation. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    “Taking a class with PlayPenn was one of the best decisions I could have made for my career.”

    -Shaun L., 2018 Student

    “PlayPenn classes have allowed me to jumpstart new plays and reset those that need a fresh look. PlayPenn classes are a safe place to explore and discover.”

    -Julie Z., 2018 Student

    Making Your Own Opportunities: Self-Producing for Playwrights with Maura Krause and Emily Acker

    640 433 Play Penn

    Empower yourself to produce your own work!

    If you’re a theatre artist with a project you’re itching to put on its feet, come join Maura Krause and Emily Acker to learn the fundamentals of self-production. Between them, they’ve garnered their experience from Orbiter 3, Azuka Theatre, InterAct Theatre, Woolly Mammoth Theatre, Philadelphia Young Playwrights, Applied Mechanics, and of course, mounting their own shows in the Philadelphia Fringe Festival. Sessions will cover everything from initial budgeting, to fundraising, to contracts, to venue liaising, to box office and marketing. By the end of the class, each student will leave with documents and an actionable producing plan. Whether you’ve never produced before, or are looking to produce on a larger scale than you have in the past, this class will help you feel ready to create the theatre you want to see — without waiting for anyone else.

    May 7, 9, 14, 16 at 6-8 pm; May 11 and May 18 at 10 am – 1 pm

    Young Playwrights Independence Foundation Learning Lab (1219 Vine Street, 2nd Floor)

    Ideally, students will already have projects in mind that they want to produce, but Maura and Emily can also help you identify an appropriate first project for self-production. The class is best suited for entrepreneurial theatre artists with minimal experience in self-production, or who have the desire to streamline an existing self-producing model.

    Emily Acker is a founding member and the Director of Development and Operations of the Barrymore-Award winning playwrights collective, Orbiter 3. She is an alumna of The Foundry @ PlayPenn, InterAct Theatre Company’s Core Playwrights Residency and Philadelphia Young Playwrights. Her work has been produced and developed at Orbiter 3, Azuka Theatre, InterAct Theatre Company, FringeArts, Theatre Exile, Act II Playhouse, Philadelphia Young Playwrights, Young Playwrights Inc., Voice Theatre, FringeArts, Northwestern University, and Temple University. Her play I AM NOT MY MOTHERLAND was a finalist for the O’Neill Playwrights Conference, and her play BOYCOTT ESTHER was a finalist for the 2018 NNPN Showcase. She contributed to the final season of All My Children on Hulu+ and is the creator of the television remake, THREE UP TWO DOWN with The Weinstein Company. She received her B.S. from Northwestern University in 2013.

     

    Maura Krause is an award-winning director, creator, and producer of new work. She is the Artistic Associate at Azuka Theatre, in addition to being the Artistic Director of Barrymore Award-winning company Orbiter 3, Philadelphia’s first producing playwrights collective. Maura was a National New Play Network Producer-in-Residence at InterAct Theatre Company, and is currently an Associated Artist with Applied Mechanics. Maura has also worked with the Samuel French Off-Off Broadway Festival, Woolly Mammoth Theatre, EMP Collective, PlayPenn, Arcadia University, Philadelphia Young Playwrights, and Tiny Dynamite, among others. Favorite projects include LOST IN THE MEADOW (PearlDamour), RED ASH MOSAIC (Cleveland Public Theatre), BREATHE SMOKE by Douglas Williams (Orbiter 3), TILDA SWINTON ADOPT ME PLEASE (The Greenfield Collective), THIS IS ON RECORD (Applied Mechanics), and BON IVER FIGHTS A BEAR by Douglas Williams (maura ampersand doug).

    $275

    Tuition

    Register Here

    Click the link below to visit our Reservation Page, where you can view all classes and register for this course. For questions or to inquire about payment plans, please email classes@playpenn.org.

    When you register for a PlayPenn class before January 15, 2018, you’ll be invited to submit your unproduced, full-length play for consideration for a professional staged reading. PlayPenn will produce one student’s play as a reading with a professional director, professional actors and a PlayPenn dramaturg in Philadelphia in the spring/summer of 2019. Only plays that have not had a professional production or reading will be considered. PlayPenn will cover the cost of the reading, but the student is responsible for their own housing and transportation. If you register for a class by the deadline, additional details will be emailed to you along with a submission form.

    Whether you’re writing your first play or deep in the horrors of marketing or self-production, PlayPenn has a class to make it easier. It’s so rewarding when writers help writers, which always seems to happen at PlayPenn classes.

    -Robin R., 2018 Student

    “If you are thinking about taking a class from PlayPenn, do it.”

    -Stacey, 2018 Student